“没有(yǒu )名字的
“没有(yǒu )名字的(😀)我,没(♌)有(yǒu )未来的她(🥏)”
目标(biā(🏥)o )成为(🚺)作家的青年(niá(🎳)n )李钟秀(刘亚仁(ré(🏐)n ) 饰),平(🐌)日里靠(kào )兼职(😛)(zhí )养活(🔨)自己(🎌)。经营(yíng )畜牧业(🍆)的父(fù(🏀) )亲不(bú )谙人情,官司(💈)缠(chán )身,迫使钟(🌳)秀又(yò(💿)u )要为(🌫)(wéi )了搭救父亲(😕)(qīn )而四(💌)(sì )处奔走。这(zhè )一日(🔅)(rì ),钟秀在某(mǒu )大型(xí(🥕)ng )卖场(🥞)重逢了(le )当年(niá(🌩)n )的同学(🚬)申惠美(全钟淑 饰(👝))。惠(huì )美计划近期前(👂)往(wǎ(👎)ng )非洲旅行,于是(😜)(shì )拜托(🎐)钟秀(😸)照看爱(ài )猫Boil。不(🗺)久后惠美(měi )回国,与(⛓)之一同(🉐)(tóng )下飞机的还(💸)有名(mí(😤)ng )叫本(🤩)(史蒂文·元(🎦) 饰(shì ))(✨)的男子。本驾(jià )驶保(🤐)时捷,居住(zhù )在(❣)高级公(😄)寓内(🔮),优哉游哉,不见(💿)(jiàn )工作(🏘)(zuò ),四处玩乐(lè ),和(hé(🐉) )钟秀相比有(yǒu )如天(tiā(💰)n )上地(🦆)下。不(bú )知为(wé(🌮)i )何,本走(👗)入(rù )平民(mín )钟秀和(👰)惠美的生(shēng )活,更向新(♿)朋友(🍔)(yǒu )讲述了他奇(💬)特的(de )癖(🚦)好。在(🔣)钟秀家(jiā )小聚(➖)的那个晚上(shàng )过后(👛),惠(💜)美仿(🙉)佛(fó )人间蒸发(📞)了一般(🎋)(bān )无(🥛)影无踪……
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
“NO BORDER 2D×(📋)3D” をキャ(🐅)ッチフレーズに掲(💊)げ、2Dと3Dの境目(🔺)をなく(😉)すク(🌕)リエイティブ(🍏)な活動(🎳)を目指す3DCGプロダ(💜)クション“Picona Creative Studio”。本作はどん(🙆)なも(🎷)のでも捨てて(🎿)みせる(🤚)ゴミ捨(shě )て屋コン(🎩)ビと、魔法を捨てた(🙋)い魔(🐲)女が繰り広げ(💋)る、フ(👥)ァッション× ポッ(😜)プ× アニメをキー(🥠)ワ(🏢)ード(🤐)に魔法と科学(✈)(xué )を絡(🏹)み合(🤑)わせたスラッ(➗)プスティック・アニメー(🌜)ション。同社が(📊)長年(niá(🌆)n )温め(🕜)てきたオリジ(📉)ナル企(🛳)画が、ついに実現(❇)!
由(yóu )于基(jī )因突变,两(🎀)(liǎng )兄(⛩)弟(dì )中,弟弟从(🛒)(cóng )小体(🖊)(tǐ )温异于常人,拥(yō(🕘)ng )有着冰系超能力(lì ),而(🚮)哥哥(💣)拥有的(de )则是火(🏴)系超能(♟)力(lì ),阴差阳错兄弟(🖼)(dì )二人被分开。哥(gē(♿) )哥(✨)被收(🆔)养他的日(rì )本(➰)人培养(🧟)成了(🧓)一(yī )个强大的(➿)杀手,同时(shí )中国的一个(gè(♉) )神秘(mì )组织也(🚺)在联(liá(🥃)n )系着(🐆)(zhe )弟弟。哥哥(gē )受(🤷)命(mìng )劫(🕑)持了弟弟的恋(liàn )人(🥕),再次见面时(shí )两人(ré(🍄)n )成为(🤨)了敌人(rén ),大(dà(🍫) )打出手(🔅)之间(jiān )哥哥(gē )认出(🌋)了弟弟(dì )小宇(yǔ ),经历(💚)了种(🔀)种,最终两兄弟(🚺)顺利(lì(🥎) )相认并联手打败(bà(🧐)i )了敌人。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
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