A newly reunit
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
Leon is in his mid-twenties and terminally ill. He invents a technology that allows him to computerize his mind and live forever. This technology will be the downfall of mankind, so freedom fighter Aqua travels back from the future to kill him.
郑思杰监制，卢炜(wě(♑)i )麟(🐕)执(👲)导(🎛)(dǎ(🌹)o )的(🍍)《今(jīn )晚打僵(jiāng )尸》则是港味十足的(de )喜剧，将主攻(gōng )香港本(běn )土市场(chǎng )，不会在内地公映。由白只、张继聪(💧)(cō(🙄)ng )主(🤝)演(🕥)的(🌑)(de )《今(🏒)晚(🔓)打僵尸》则是(shì )一部惊(🧖)(jī(🍧)ng )悚(🤒)题(💦)材(🥏)(cái )的喜剧(jù )，该片(piàn )根据余咏良的畅销小说改编而(ér )成。
一(yī )个年迈(mài )的鳏夫，二战时期的(de )无线电(diàn )话(🚷)务(🦉)员(➰)(yuá(💊)n )，发(🦑)觉(🎋)(jià(🗣)o )闪烁的(de )灯泡传 递着他(🤠)亡(🙀)妻(🚼)来(🍙)自(🏻)天(🏞)堂的(de )消息。
从小在(zài )孤儿院(yuàn )长大的女孩小鱼，在(zài )面对生(shēng )活、事(shì )业、爱(ài )情屡次(cì )受挫后，孤(🧙)独(🔰)、(🗿)绝(♊)望(🔉)、(🎍)抑(🕦)郁、自卑，多次试(shì )图自(♊)杀(😋)。
In 1986, three teens were brutally murdered after knocking on the door of 59 Oakwood Lane. The killer was never found. Over the next forty years, rumours turned to legend, and while few will admit to believing the stories, kids are still warned never knock on the door of 59 Oakwood Lane for fear of what may answer.On this Halloween night, Grace and her friends are going to wish they’(🏼)d heeded the warnings and never knocked…(🦒)
本(😹)片导(dǎo )演童抒(shū )伟称，《追击(jī )者》将(jiāng )是福建省第一部真正意义上还(hái )原电影(yǐng )本质、追求电影艺术(🛁)的(🍗)动(😹)作(➗)(zuò(🔐) )犯(😎)罪(〰)电(diàn )影，同(tóng )时他也(yě(🕙) )致(🕣)力(🈴)于(🐨)(yú(🖕) )拍摄出自己风格的电影，更希(xī )望能够(gòu )打开漳(zhāng )州，甚至是福建的电(diàn )影市场(chǎng )，希望(wàng )能将商(shāng )业(😎)与(🎸)艺(🙅)(yì(🏽) )术(😢)想(🌇)结(📌)合。
When their city is rocked by a series of brutal occult murders, veteran detective John Locke and his young partner Terri Keyes are forced to put aside their youlady.cc differences and follow the trail of evidence to a formerly abandoned asylum.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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