On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life.
梅姨是一(🕟)(yī )个生活在(🔙)社会(huì )最底(🐨)层(céng )的人，为(♟)了生(shēng )计，为(🥨)了(le )抚养儿子(🎆)(zǐ )毅天一直(🌃)做按(àn )摩女(🎭)。漫长的岁(suì(📋) )月被毒贩引(💷)诱(yòu )染上了(🌑)毒(dú )瘾。孟豹(🌹)是毅(yì )天的同学(xué )，整天(tiān )游(🏵)手好闲，欺(qī(🗄) )负同学并(bì(🥄)ng )收取同学(xué(👴) )的保护费(😤)。小(⚫)(xiǎo )江是毅(😪)(yì(👼) )天的同学(💒)(xué )也是从小(🏘)一起(qǐ )长大(🔎)的好(hǎo )兄弟(💌)，由于不(bú )肯(🍆)给交保(bǎo )护费被(🥅)(bèi )孟豹欺负(📽)。闻(wén )讯赶来(⛎)的(de )毅天为了(✝)(le )救小江把老(⛑)妈(mā )刚给的(🐅)(de )两百块钱给(🗑)了(le )孟豹，孟(mè(🤐)ng )豹收了钱(qiá(🚀)n )却又侮辱了(🖕)毅(yì )天母亲(😶)，毅天气(qì )不(🗨)过把孟豹一(yī )顿臭打。毒枭老(🌿)黑正好(hǎo )路(🥙)过，救(jiù )下了(🦇)孟(mèng )豹。毅天(✌)孟豹(bào )从(🌧)此(💷)结下(xià )梁(📳)子(🤽)。孟(mèng )豹跟(🤮)了毒枭老(lǎ(🤺)o )黑后，一直给(🛋)瘾(yǐn )君子送(🛎)货，其(qí )中就(🖇)有毅(yì )天的母亲(👂)梅姨(yí )。故事(📮)究(jiū )竟会向(😖)(xiàng )什么方向(😆)发展(zhǎn )？让(🈲)我们(men )拭目以(📶)待(dài )。
农村来(🤭)的冷(lěng )钢是(🔳)与(yǔ )发小袁(⚽)开一起(qǐ )在(🍈)红石会(huì )所(👦)当保安(ān )。爱(🐜)上了小姐(jiě )叶子姑娘，而鹿(lù(🐩) )鹿却一直喜(🍝)欢(huān )冷钢。一(👴)(yī )次偶然的(⏮)机遇(yù )冷(🏓)钢(🛷)救了(le )华总(⏬)并(🐢)(bìng )为夜总(🚱)会解决(jué )了(🐡)纠纷，于是华(🕞)总(zǒng )给了冷(💘)钢提升(shēng )的(🕦)机会，同样也(yě )得(🕴)到了叶子。犯(🤹)罪组织(zhī )吴(🐭)爷想利用红(💬)(hóng )石会所进(🚥)(jìn )行犯罪(zuì(💴) )活动，华总被(🔡)(bèi )逼潜逃，将(😳)会所托(tuō )付(🖖)冷钢，吴爷(yé(🐌) )的命干(gàn )儿(😞)子庆少和狗(🆒)(gǒu )腿子黄经(jīng )理设局强(qiáng )奸(🕥)了叶子，为(wé(🤸)i )了华总的托(🌒)付，叶子想要(👩)的平(píng )静(🚃)生(🦋)活，忍辱负(🔸)重(💲)想赔(péi )钱(🏒)了事，不料庆(💶)(qìng )少等人步(🏒)步紧(jǐn )逼冷(🙀)钢，收了钱，还(🕘)要红石会所(suǒ )和(🤛)叶子，冷钢一(🛏)(yī )怒之下阉(🚎)割了(le )庆少，更(📇)(gèng )大的报复(🦉)来临(lín )，以至(💏)于(yú )好兄弟(👷)(dì )袁开被杀(🕘)， 更(gèng )使冷钢(🎖)走(zǒu )上了逃(🤖)亡(wáng )之路，直(🥟)到一(yī )天他(🍲)看(kàn )到了新闻叶(😳)子(zǐ )完全背(😳)叛(pàn )了他，他(🔖)(tā )心已死，决(🏆)定(dìng )于庆少(🌐)等人决战(👯)(zhà(🍯)n )。但仍不改(🔲)对(duì )叶子的(🗨)真(zhēn )爱。
你可(🐬)能说你看不(🛰)到(dào )五分钟(👉)(zhōng )，我只能说(🐇)你(nǐ )错过了最(zuì(♉) )后五分钟(zhō(⤵)ng )。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
Feeling disconnected with her teenage son, a protective mother decides to step outside of her comfort zone and take him camping. But as soon as she arrives, she begins butting heads with her handsome cabin neighbor, a single father and outdoorsman who is also in search of a connection with his teen daughter. Friction soon sparks a flame as these opposites attract. Stars Danica McKellar and Paul Greene.@
青釬治乱，倚(🍯)天定国，长久(🚴)(jiǔ )以来，历代(🧕)皇(huáng )帝都以(⚓)为(wéi )只要得(🦃)到青釬(gān )和(🏝)倚天两(liǎng )柄(🔋)神剑(jiàn )就可(🍘)夺得天下(xià(🔙) )，但却无(wú )一能识破(pò )两把宝(🏒)剑的秘(mì )密(🥪)。
伊(yī )格内修(🍣)是中产阶级(🔳)，他(tā )经营着(🧠)一(yī )家自(🔑)己(🗺)餐厅，并且(👛)铁腕管理。因(㊙)此与员工不(🏯)(bú )断产生摩(💼)(mó )擦，尤其是(🚩)和厨师。一(yī(🎷) )次，员(yuán )工没打算(🎓)联手(shǒu )设局(🐢)反抗(kàng )他，然(🍣)而(ér )事情却(⚡)并没有(yǒu )按(👘)照计划中进(🌾)行(háng )...
贤真搬(🔳)进了破(pò )旧(🧒)不堪的(de )小镇(💅)公寓，由(yóu )于(💄)隔壁邻(lín )居(🦎)的吵(chǎo )闹声，睡不着(zhe )觉。但是(shì(🤘) )公寓管理(lǐ(📄) )员告诉贤真(👡)，整栋大(dà )楼(💻)并无其他租(📢)客。怪事(shì(🚡) )接(🎦)二连三(sā(🐃)n )而来，所有的(💟)(de )一切似乎都(👻)指向(xiàng )了叫(🍓)珠熙的神(shé(🔘)n )秘女子。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
